Review: Judge Bao and the Jade PhoenixA comic review article by: Zack Davisson
Judge Bao and the Jade Phoenix took me by surprise. I thought the premise sounded cool; Judge Bao is a historical figure from China who, like Robin Hood and King Arthur, has spawned his own folklore. Judge Bao the character has appeared in numerous books, TV shows and films, wandering ancient China, investigating crimes, and dispensing his own brand of tough-but-fair justice that does not discriminate between people of different classes.
Storywise, the book lived up to my expectations for the most part. It is like the best of Chinese historical films, with intrigue, action and mystery. Judge Bao is like a Chinese Sherlock Holmes, with ninjas. (Or perhaps Nero Wolfe would be a better analogy, with Bao’s right-hand man Zhan Zhao making a capable Archie Goodwin.)
But what I wasn’t prepared for was art so brilliant it leaps right off the page and smacks you in the face. Seriously. I can’t remember the last time I saw art this beautiful in a comic.
Chongrui Nie is phenomenal. Looking at Judge Bao and the Jade Phoenix, I have no idea why he hasn’t been recruited by one of the major comic companies. I imagine it takes him a long time to create artwork this detailed, but that is no reason not to hire him for a graphic novel project or something. I really don’t know how he pulls this level of artwork off. I assume he uses some sort of photo-reference , although there is nothing stilted or lifeless about his work like I have seen in other photo-reference heavy artists. His lines are fluid and show an easy hand, while all of his surfaces are dense and rough as if they were scratched onto a board. There is fluency and attention paid to even the smallest detail. This is the kind of comic art that makes you re-think the potential of what comic art can be.
Archaia has also put together a pretty little package to contain that art. It is a canvas-bound hardcover that is smaller and wider than your typical Japanese comic. Judge Bao and the Jade Phoenix was originally a French publication, so I don’t know if Archaia simply reproduced the original or came up with a new design, but either way this is a very well put together book.
Unfortunately, what keeps the book from being perfect is that the story falls away towards the end. The all-important denouement, where Judge Bao reveals his hand and shows that he has seen through the tangled weave of the crime—just doesn’t play out. I am left with plot threads untangled. (Who really killed Red-Cloud?) and some unsatisfying dispersions of justice. I don’t know if the story continues in the next book, but it is dissatisfying for a first-time reader.
And there is a next volume. The last page promises us Judge Bao and the King of Children coming next. I hope Archaia has more than a few volumes in the works. Not only are these comics great to read, with that lovely binding I imagine a collection of them would look good on my bookshelves.
Zack Davisson is a freelance writer and life-long comics fan. He owned a comic shop in Seattle during the '90s, during which time he had the glorious (and unpaid) gig as pop-culture expert for NPR. He has lived in three countries, has degrees in Fine Art and Japanese Studies, and has been a contributing writer to magazines like Japanzine and Kansai Time-Out. He currently lives in Seattle, WA with his wife Miyuki. You can catch more of Zack’s reviews on his blog Japan Reviewed or read his translations of Japanese ghost stories on Hyakumonogatari Kaidankai.