"Catch Me If You Can"
Writer: Ian Boothby
Artists: Phil Oritz, Art Villanueva(c)
Publisher: Bongo
Ian Boothby you demented, magnificent bastardo! Opening with astonishing examples of Homer's madness and want to make money--admittedly for his family which is perhaps why all of these notions are more acceptable--the story segues into a shmaltzing of Marge's inner clown.
While gags upon gags sometimes in a single panel burst like seltzer water from a bottle, Boothby still brings heart to his story through Krusty the Clown's relationship with his prodigy daughter. Though these characters are drawn in the usual goofy Matt Groening style courtesy of accomplished flatterer Phil Oritz and their embarking on a father/daughter unity began on the series, you cannot help but be touched by the subtle moments in which a connection is almost made. This makes the finale particularly regarding.
Another factor in Simpsons Comics success can be found in the way that Boothby never takes the denizens of Springfield out of character. Homer's gluttony for instance is meant also to teach the kids a life lesson. Bart's and Lisa's rivalry once more shines crossed swords. Milhouse's desperation plays a hilarious side part in the main plot, and Nelson's outburst shows him to be more than a stupid bully. As with the series, Nelson is actually quite intelligent--just lazy.
The story comes full circle with a return of one of the characters seen on the first few pages. This little flourish exhibits a skilled writer who understands the needs of storycrafting. It's this skill combined with the confectionery colors of Art Villanueva sugaring the superb sharp pencils and inks of Phil Oritz that make Simpsons Comics not just a good funny comic book. It's a good comic book.
What did you think of this book?
Have your say at the Line of Fire Forum!