Publisher ACC Studios has billed Liberality for All "The World's First Conservative Comic Book," and the book has received considerable attention from both the mainstream media and the politically conservative pundits on the airwaves.
This year, Wizard World Texas was a disappointment.
Now that DC’s ambitious weekly 52 series has reached “halftime,” I encouraged SBC’s reviewers to document their impressions of the book at this juncture.
I’ve only been exposed to three versions of the Holy Grail story.
My favorite convention, the Small Press Expo , has just completed its 12th show, and I thought I would outline some of the titles and creators you are missing at this one-of-a-kind exhibition of comic creativity.
Yet another convention is history and, unlike those in recent past, there was not a lot to get excited about this one.
Last weekend this site posted a Sunday Slugfest of reviews of Civil War #3, the latest issue of Marvel’s much-hyped cross-over event of the year.
With convention season in full swing, what better is there to do than coming home with a piece of original art from one of your favorite artists? Fans who attend their share of comic cons over the course of summer/fall have their own sketchbooks or even portfolios that they carry with them, hoping to add a new piece.
The 80 page $1 DCU: Brave New World Special promotes six upcoming DC titles: Martian Manhunter by A.J. Lieberman with art by Al Barrionuevo, OMAC by Bruce with art by Renato Guedes, Uncle Sam and the Freedom Fighters by Justin Gray and Jimmy Palmiotti with art by Daniel Acuña, The Creeper by Steve Niles with art by Justiniano and Walden Wong, The All-New Atom by Gail Simone with art by John Byrne and Trevor Scott, and The Trials of Shazam! by Judd Winick with art by Howard Porter.
For a long time, long before I was born; heck, probably long before you were born, comic books were created as escapist stories, intended to take you out of the real world and into a world of adventure and excitement.
