Larsen is indefatigable on this title. This is one of his tighter-illustrated issues, so the city looks very believably threatened by the giant terrorist zombie.
This book has a long history, but Spencer is using it to tell new and thrilling stories.
This is an extremely beautiful issue. It’s also an extremely disturbing issue.
The cover of Avengers 1959 #4 identifies Geoffrey Sydenham as the true villain behind all the zombies, Nazis and Red Skull robots plaguing our stalwart group of violence-prone super-spies.
How do you go about filling the big shoes that have stumbled on this title? Grant Morrison couldn't do it.
"HEY THURNIS! HEY! HEY! WHY YOU DRAW SO MANY SUPERHEROES BUGGERING ONE ANOTHER?" "BECAUSE."
If there's one idea in DC Comics lore you'd think might be played out, it's the origin of the Legion.
Nick Spencer's superhero espionage series is back with a new artist, and Nick, Ray and Shawn, in the process of debating the book's value, develop a pitch for a comic called Film School Dropouts With Guns.
This second issue of Robinson's return to Opal City is better than the first.
What was suspected last issue is made explicit this one, at a poetic remove: through Becky's journal, she tells Billy what she couldn't tell him while alive.
